Lectrosonics just announced their new SR-AES3 Audio Output Adapter, a new endplate which gives ALL SR receivers AES digital output capabilities. Fitted with a word clock port, it can be run as analog, AES digital with internal word clock (no external connection) or as AES with external word clock. Now, any SR series receiver will be capable of delivering 2-channel digital audio direct to the mixer or recorder eliminating the gain staging questions of "what should my output level be?" and "what should my input gain on my camera/mixer be?".

For a growing urban area, local broadcast TV stations are under pressure to give residents news that is hyper-local, live, and well executed. With this goal in mind for Louisville’s metropolitan region, Fox affiliate WDRB-TV invested in an extra studio and put Autoscript E.P.I.C. teleprompters at the forefront of their new facilities.

TVU Networks IP video transmission solutions were used by one of China’s largest media organizations, Shanghai Media Group (SMG), to successfully deliver live video coverage of the 2016 Tour of Taihu Lake Cycling Race in severe weather conditions.

Utah-based production company Lenzworks recently shot the second season of Relative Race, a co-production with broadcast partner BYUtv, with a dozen VariCam LT 4K cinema camcorders. An ingenious pairing of a race against time with a genealogy hunt, Relative Race pits four couples against each other in a race from Miami, FL to Boston, MA, with required stops along the way to complete challenges, then meet and stay with relatives they previously didn’t know existed. The prize for the winning couple: $50,000.

Calrec has launched a series of tutorial videos to demonstrate just how easy the all-new Brio console is to use, and to help Brio owners get up to speed quickly. At under two minutes each, the films are designed to teach users how to perform fundamental operational tasks — for example, “Assigning Audio Paths to Faders” and “Connecting Inputs and Outputs.”

EVS will pick up an Emmy Award from the National Academy of Television Arts and Sciences at the 68th Annual Technology and Engineering Awards next January during CES Las Vegas. Its Epsio Zoom gives operators the ability to broadcast every detail of live action from multiple cameras, enabling operators to zoom into a particular section of a picture and prepare engaging clips for playout during live events.

NewTek announced NewTek NDI Camera, a software application capable of turning any compatible iOS or Android mobile device into a wireless, IP-ready, live video source. When connected via WiFi to the same network as an NDI-compatible receiving device or production system, NewTek NDI Camera allows producers to instantly and affordably add cameras, angles, vantage points, and completely new options for live broadcasts, webcasts, and presentations with the ease of a mobile device app download.

Sony FS7 II is an incremental upgrade of Sony’s FS lineup, and not a replacement. The previous model FS7 will continue to be sold (in body-only form) at the existing price. The sensor and image are unchanged from the original FS7. The codec choices and the autofocus system are also the same. The FS7 II will be sold as body-only, or as a kit with the new 18-110mm f4 G cine zoom. So what’s new (except price) in the new Sony's camcorder?

Sony is expanding its FS Series Super 35mm professional family with the addition of the new FS7 II camcorder. The new model builds on the original FS7’s strengths by adding advanced features including Electronic Variable ND technology, a lever lock type E-mount, and a new mechanical design for faster and easier set-up. The new FS7 II now gives creative professionals a broader range of creative tools, with new features all based on end user feedback.

Cinegy announced that it will makes its Inter BEE debut from 16-18 November in Tokyo where it will introduce the latest solutions for getting multiple channels on air, including in 8K.