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Engineering Service, Inc.   »  News 
 
News

 
Fujinon’s MK zoom lens series honored in several Best-of Lists

Since their launch in February of 2017, the MK Series of zoom lenses from the Optical Devices Division of FUJIFILM have received numerous accolades from noted industry websites, publications and cinematographers thanks to the lens’ lightweight, professional zoom performance and price point. Among those recognizing the FUJINON MK18-55mm and MK50-135mm T2.9 zoom T2.9 zooms are: No Film School (Best New Lenses of 2017); Pro Moviemaker (Launch of the Year); Philip Bloom (Best Video/Cinema Lens); Newsshooter (Best Cinema Lens); and The Camera Store (Best New Lenses of 2017).

     
     
 
IP-Based Sports Production Becomes Reality with NewTek 3Play 3P1

NewTek introduced the NewTek 3Play® 3P1, the most cost-effective, easy-to-use and feature-rich replay solution in the world with native IP video processing. 3Play 3P1 offers both NDI® and 3G SDI input, cross conversion, and output. An intuitive dual-channel “first replay” telestration solution allows talent to draw over live NDI video, or optionally reverse-keyed on the field-of-play on any PC, tablet, or touchscreen with a single network cable.

     
     
 
Calrec Artemis on a roll with High Rock Mobile Television

A Calrec Audio Artemis Light is the audio mixing engine aboard High Rock Mobile Television’s first-ever production truck, High Rock 1. The 40-foot, dual-expando vehicle is designed to offer big-truck production capabilities in a smaller footprint, with Artemis providing superior sound quality, reliability, and seamless networking via Hydra2.

     
     
 
D2 selects ATEME’s complete video headend for UK local TV network

ATEME announced that D2, a UK-based media, broadcast and telecommunications services company, has selected ATEME’s TITAN solution for one of its clients. ATEME’s TITAN solution is being used for the UK-wide DTT services to encode more than 150 channels and deliver premium video quality to viewers.

     
     
 
Cinegy Air Cloud Pack Now Available on Microsoft Azure

Microsoft Azure users will now have access to Cinegy’s Air Cloud Pack, as the company has announced it is making it available on the Microsoft marketplace. The Cinegy Air Cloud Pack consists of the Cinegy Air Pro Bundle and Cinegy Multiviewer.

     
     
 
Prime Graphics v2.6 Now Available from ChyronHego

ChyronHego is unwrapping the latest version of its Prime Graphics, 64-bit, all-software rendering engine for the Prime graphics platform. The updated v2.6 now offers 16-bit color, 10-bit I/O, a new Scene camera effect, additional codecs for recording inputs and advanced touchscreen features.

     
     
 
SMPTE Publishes First Parts of SMPTE ST 2110

The Society of Motion Picture and Television Engineers announced publication of the first four of its suite of SMPTE ST 2110 standard for professional media over managed IP networks.

     
     
 
BBC Wales Puts Dalet At The Core Of Its New Broadcast Center

Dalet, a leading provider of solutions and services for broadcasters and content professionals, announced that BBC Wales has selected the enterprise Dalet Galaxy Media Asset Management (MAM) and Orchestration platform to facilitate all workflows and asset management requirements at its new state-of-the-art media facility located in Cardiff, Wales.

     
     
 
Lectrosonics Duet Digital Wireless Monitor System Now Shipping

Lectrosonics announces that the highly anticipated Duet Digital Wireless Monitor (IEM) System is now shipping. The new system is comprised of the M2T dual-stereo half-rack transmitter and M2R diversity belt pack receiver. The Duet covers the UHF frequencies of 470MHz - 608MHz in a single range, uses digital modulation for transmission, and can accept analog or Dante (optional) digital inputs. The new system is designed and developed with professional touring, installation, theater, filmmaking, and broadcast customers in mind.

     
     
 
8-bit or 10-bit? The truth may surprise you

It’s a great pity that in order to enjoy the benefits of digital imaging, we must use pixels that may only be one of a comparatively small selection of colors, as opposed to the effectively infinite subtlety of nature. Phil Rhodes spreads light and understanding about quantization and noise.

     
     
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