Pixel Power is using NAB 2019 to launch two significant, virtualizable software products to the North American market. CREATE is an application for creating graphics templates; StreamMaster PRODUCE is a solution for fulfilling and delivering graphics in real time, with a flexible architecture that supports multiple channels and multiple operators.

Citing a desire to boost live coverage of sporting events like cross country and dirt track racing in remote, often difficult locations, live digital sports provider FloSports recently announced that it has selected TVU Networks video over IP equipment to assist with its live, on-location video capturing and sharing of its sports programming. TVU gear, including transmitters and the TVU One cellular mobile units, will help simulcast, record and archive footage

The ODIN OMNEO digital matrix by RTS has been recognised by the iF DESIGN AWARDS. Founded in 1953, the iF DESIGN AWARDS were created to draw attention to, and celebrate, excellence in industrial design, as well as the impact that great design can have on society as a whole. Greatly influenced by the principles of the Bauhaus movement, the iF name rapidly became a globally trusted seal of quality.

When you reading the thematic publications of various media outlets, you might to think that the whole world is already living in IP and every TV/radio broadcaster has already deployed a full-fledged IP ecosystem. Calrec Audio experts are confident that there are other ways, and cite as many as six reasons for using hybrid solutions.

Production and post company FrameTrunk has revamped its live ingest systems with high-density AJA Corvid 88 video and audio I/O cards, which help manage multiple, high resolution input and output streams.

NewTek have released Advanced Edition 3, the latest software update for the TriCaster 8000, 860, 460, 410 and Mini, with special introductory pricing running until 22nd March. The list of new features includes touchscreen support, so you can switch an entire show on a tablet, and express mode, which reduces a lot of the detailed interface down into a handful of buttons, meaning the best part of a sophisticated productions system can easily be operated by anyone.

The Daylight Zylight F8 200 is admittedly a strange light to look at. It has about the same physical footprint of a 1×1 panel, but to compare it to a simple high output flood light would be a mistake. There is more here than meets the eye. I took the Zylight F8 200 into the field recently in a documentary project in Europe to really put this LED fixture to the test in a wide variety of situations.

ChyronHego has introduced an innovative augmented reality (AR) solution at football stadiums in Denmark and the Netherlands. Combining its TRACAB optical tracking system and Click Effects PRIME graphics authoring system, the company has created a first-of-its-kind LED display that graphically tracks a player’s movements. The perimeter-board screens can display stats such as speed and distance travelled, using real-time TRACAB data.

With its fleet of 54 OB trucks, Game Creek Video was a natural choice to provide remote facilities for the 2018 Thursday Night Football telecasts, which recently wrapped at the end of December. Game Creek designated its three-trailer Encore mobile unit for all the broadcasts, serving over 200 credentialed network personnel each week. Like all the company’s remote production systems, Encore relies on RTS intercoms to provide smooth, reliable connectivity.

The new Sony’s VENICE Firmware Version 4.0 introduces new optional HFR license speeds up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2, advanced remote-control functionalities, and Cooke/i3 and Zeiss extended metadata support. The latest upgrade will offer filmmakers even greater creative freedom, flexibility and choice.