As part of a modernization process, audiovisual public service company Radio Télévision Suisse (RTS) chose content management system by Actus Digital. Clip Factory platform recording RTS channels and provides a web-based interface for monitoring the content as well as for add metadata, editing and export clips.

After previewing the lens at the 2018 NAB Show, Fujifilm has announced that it will make its Fujinon UA46x9.5BERD” (UA46×9.5) lens available in January 2019. At 46x zoom, the company says the new lens features the world’s highest magnification in a broadcast portable lens for 4K video production.

When it comes to recording audio, there are countless ways to do it. These days, most do it via an audio interface and a DAW. But, when choosing an interface, the options become endless. Let's say you want something under $1000, super portable and rugged, and with a solid amount of ins for your gear? Your options shrink dramatically. Now, let's say you want to be able to power it with batteries, and record directly into the device itself, sans computer? Most people would say good luck in your search. However, Sound Devices has created a device just for this instance. The MixPre-6M checks all of these boxes, and more, without extra frills and high cost.

Apantac, internationally recognized manufacturer and pioneer of cost-effective yet feature-rich multiviewers, video walls, extension and signal processing solutions will be demonstrating its new TX # (pronounced TX Sharp) Multiviewer with Router Outputs at IBC 2018, stand 8.E37.

ChyronHego is heading to IBC 2018 in Amsterdam this coming September with its range of broadcast graphics solutions. The company's solutions on show at IBC will include CAMIO 4.5, Virtual Placement, Paint 7.4 and Metacast 2.6.

FOR-A is heading to IBC 2018 with a large focus on the theme of 'Gateway to IP'. The company will demonstrate the benefits of a combined 12G/IP approach, and feature a collection of product demos and debuts.

Countryman Associates has introduced its new H7 Headset Microphone, intended for use in location sound, theatrical, and presentation applications.

An audio compressor is one of the most important parts of sound design and mixing, but it is also one of the most misunderstood and mis-used. Compression is one of those things that, by far, takes quite a bit of work to wrap your head around. The fundamental principle of compression is that it is used to control dynamic range within a piece of audio. This could be anything from dialogue to music and allows you to keep full control over fluctuations in loudness. Today’s article aims to break down the art of compression and discuss the standard parameters of a compressor unit.

Leader Electronics is to launch the latest additions to its new ZEN series, the LV5600 true hybrid IP and SDI waveform monitor and LV7600 rasterising equivalent, at IBC 2018.

New version 4.29 firmware is now available to download for Timecode Systems :pulse, :wave, and :minitrx+. This latest update improves the quality of system performance by fixing important issues.