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Engineer Service   »  Catalog   »  Recorders   »  AJA 
 
AJA


Ki Pro Ultra

File based 4K/UltraHD/2K/HD video recorder and player with a built-in HD LCD monitor; supports edit ready Apple ProRes files in a range of video formats and frame rates up to 4K 60p, or Avid DNxHD MXF files at HD resolutions. It offers flexible input and output connectivity including 3G-SDI, HDMI and even fiber, for powerful and efficient large raster and high frame rate workflows. Designed to be both portable with a built-in carry handle or rackmountable with half rack wide 2RU high dimensions, Ki Pro Ultra suits a wide range of production and post environments.


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Ki Pro Rack

Tapeless, file-based video recorder that captures and records in ready-to-edit ProRes and DNxHD codecs, in 10-bit 4:2:2 full-raster files, and onto HDD or SSD storage modules (sold separately). 10-bit 4:2:2 color depth provides superior dynamic range, original picture representation, and flexibility in adjusting color and balance in post. Two slots are available for the storage modules.


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Ki Pro Quad

Recorder enables 4K/UltraHD/2K/HD workflows with efficient Apple ProRes capture and playback in a compact, file based recording and playback device that easily mounts directly behind a variety of cameras. It serves as a central gathering point for the main needs of 4K production; capture efficient, edit friendly 4K Apple ProRes files with pristine image quality and output to 4K and HD monitors with real time downconversion simultaneously. Work on HD and 2K resolution projects now with full 4:4:4 or 4:2:2 quality and switch Ki Pro Quad to record 4K any time the need arises. Ki Pro Quad covers your portable recording and playback needs today and into the future.


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Ki Pro Mini

Ki Pro Mini easy mounted to any video camera, equipped with SDI or HDMI digital output. Recorder uses Apple ProRes 422 or Avid DNxHD formats for capturing full quality HD/SD footage to Compact Flash (CF) media. Compared to 8-bit recording devices, 10-bit 4:2:2 recording (when supported by the codec) provides better quantization, giving a superior representation of the original scene and allowing for more flexibility in post production when adjusting color and balance.


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